KC Baroque 2019 Summer Series

The Woman’s Voice as
Composer, Patron, & Performer
in the Baroque Era

Concert I:  June 21 - 7:30 PM
St Paul’s Episcopal, 40th & Main, KCMO
The Donne, the Divine & the Dueling
The composer’s Muse of the 17th & 18th century.

Music of Monteverdi, Luzzaschi,
Handel and Rameau
• • • • •

Concert II: July 26 - 7:30 PM
Village Presbyterian, 6641 Mission Road, Prairie Village, KS
The Patron Queens
Queen Anne & Queen Christina of Sweden

Music of Corelli, Handel, Purcell,
and Scarlatti
• • • • •

Concert III: August 23 - 7:30 PM
St Paul’s Episcopal, 40th & Main, KCMO
Rising Voices: Women Composers

Music of Francesca Caccini,
Élizabeth-Claude Jacquet de la Guerre, Barbara Strozzi, and the premiere of a new commission from Ingrid Stölzel

Tickets on Sale May 1


KC Baroque wins
Outreach Grants from
The Martha Lee Cain Tranby Fund

Kansas City Baroque Consortium is one of eight ensembles nationwide awarded an Early Music America mini-grant to present special outreach projects during
“Early Music Month” in March.

With the additional support of the
Martha Lee Cain Tranby Foundation,
KC Baroque will present
"Swirls, Twirls, Stomps and Curls:
The ins and outs of Baroque style”
to young music students at
Harmony Project KC, and Blue Valley Middle School.

Harmony Project KC is an intensive, arts-based, youth intervention and mentoring program for under-served children in KC's urban core. KC Baroque will present a mini-concert and workshop for these young musicians exploring core elements of music expression, and an up close look at how string instruments and the harpsichord are made.

For more information about our outreach projects, or to inquire about an outreach visit from members of KC Baroque, please contact us at kcbaroque@gmail. com

Thank You…
for being such an important part of the growth and success of KC Baroque during our first two seasons! Your attendance and generous support of our concerts, special events and outreach programs will ensure many more seasons of enriching programs for Kansas City!

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Trilla Ray-Carter
Artistic Director and Executive Director
Kansas City Baroque Consortium

Stay up to date on our events and offerings throughout the year, and be the first to hear about our upcoming third season: Women of Note, celebrating the women who influenced the arts and music of the 17th and 18th centuries as patrons, composers and performers. Subscribe below to our email list for the latest announcements!


Summer 2018 Season - Final Concert
The Sun King's Court
Friday August 17, 7:30 p.m.

Music of Couperin, Campra, Marais & Rameau, and the World Premiere of "I AM SILENT", by Anthony Maglione.

Featured vocalists: Sarah Tannehill Anderson,  Hannah De Priest, Jay Carter,  Anthony Maglione, Sam Anderson,  and Joshua Lawlor.
Sarah Cranor and Monty Carter - Violin,  Leighann Daihl Ragusa and Dorothy Maglione - Flute, Nell French - Viola, Victor Penniman - Viola da Gamba, Trilla Ray-Carter - Cello, Jeff Noonan - Theorbo, Rebecca Bell - Harpsichord

Concert Review, August 17, 2018
Patrick Neas, KC Star
KC Arts Beat

"Tonight’s concert by the Kansas City Baroque Consortium, “Music from Versailles: The Sun King’s Court,” was a beautiful reminder of what a special place Kansas City is for music. How many other cities the size of Kansas City can boast a period instrument ensemble that could perform the highly refined music of the French Baroque with such authority. This was music of the highest order.

After an hors d’oeuvre of instrumental music by Couperin, sopranos Sarah Tannehill Anderson and Hannah de Priest sang Four Verses on a Motet by Couperin, a duet made even more lovely by the warm sound of wooden Baroque flutes. “Florete prata” by André Campra followed, sung by Jay Carter, whose rounded countertenor was a total pleasure for the ears.

The first half of the concert concluded with a newly commissioned work, “I Am Silent” by Anthony Maglione. Base on a poem by Rumi, it was a lovely complement to the other works on the program. Maglione combined the unique sound of the baroque instruments with vocal writing to perfectly express Rumi’s intense mysticism. The work at times was spare and others gently propulsive minimalist. It was a totally unique sound that makes me look forward to hearing more of Maglione’s music.

The second half began with a short work by Marais that, in a just world, would be as well known as Pachelbel’s Canon. The string members of the Consortium beautifully conveyed “The Bells of St. Genevieve.” It was a delightful way to lead into the main work of the evening, Rameau’s “Quam dialect tabernacula.” Rameau’s Grand Motets are as great as any sacred music composed in the Baroque era. To hear this work sung by a chamber choir comprised of some of Kansas City finest singers was a rare delight. The singers and musicians had such confidence and assuredness, that they were able to let go and also capture the ecstasy of Rameau’s motet. It was a glorious conclusion to a glorious evening of music." — Patrick Neas

Monday, February 26, 2018
  Johnson County Community College
Ruel Joyce Recital Series, JCCC

Trilla Ray-Carter, cellist, was joined by soprano, Kayleigh Aytes and harpsichordist, Nicholas Good for a program of Handel and De Fesch. The concert included the Handel Suite No. 2 in F Major for Harpsichord, the Sonata for Cello and Harpsichord in d minor written by the Dutch composer/violinist Willem de Fesch, who served as Handel's concertmaster in London, and Handel's exquisitely tragic cantata  Oh numi eterna, "La Lucrezia",  performed by Kayleigh Aytes.

Trilla Ray-Carter, cellist, was joined by soprano, Kayleigh Aytes and harpsichordist, Nicholas Good for a program of Handel and De Fesch. The concert included the Handel Suite No. 2 in F Major for Harpsichord, the Sonata for Cello and Harpsichord in d minor written by the Dutch composer/violinist Willem de Fesch, who served as Handel's concertmaster in London, and Handel's exquisitely tragic cantata Oh numi eterna, "La Lucrezia", performed by Kayleigh Aytes.

Don't miss our upcoming concerts!
Sign up for our email announcements below.

Enjoy Highlights of our 2017 Inaugural season.Pictures, reviews and write-ups HERE.

And Season 2018 HERE.



You can be an important part of
KC Baroque's success by supporting
our concerts, educational outreach and composer commissions!

Donate Today

Your attendance and support of
KC Baroque is applauded!
Ticket sales cover a small portion of the costs to present live performances. Your support is greatly appreciated!

About KC Baroque

In December of 2015, I completed the Artist INC Advanced program for artist entrepreneurship and was awarded $1000, voted by my peers, for best project proposal. A year later, working with a fantastic board of directors, Kansas City Baroque launched this project as a new summer series! The inaugural season was a great success as the reviews attest! We've now completed our second season with critical acclaim, and we've seen our audiences grow with every concert! I invite you to be a part of this inspiring project! With period performances of early music as our spring board, we are exploring the connections between past and future, between a variety art forms, and across eras. In our second season we have initiated an educational outreach program, and continued our "New Music for Old Instruments" commissioning program.

KC Baroque participates regularly in exciting collaborations with local and regional organizations bringing a wide variety of early music to the Kansas City metropolitan area.  

Highlights include performances with: 
• Te Deum Antiqua Chamber Choir in Buxtehude’s Jesu Membra Nostri in February.  

• American Choral Director’s SW Conference included three performances for KCBC with local and regional choirs in March at Helzberg Hall.          

PASTICCIO, a program of baroque delicacies presented on several recital series including the Westport Brown Bag Series, JCCC Ruel Joyce Series, and this Spring to be presented in St. Louis, in Louisville, KY on the Locust Grove Series, and here in KC on March 16th for the St. Andrew’s Episcopal Happy Hour Series!

BACH's ST. JOHN PASSION  in April of 2016 at featured Te Deum Chamber Choir, and Village Chamber Choir with KC Baroque in a stunning performance under the direction of Matthew Shepard. 

Charpentier's TE DEUM with Musica Vocale, under the direction of Arnold Epley in June of 2017. 

As a 501(c)(3) non-profit organization, Kansas City Baroque continues to bring to our community the beloved masterworks and the rarely heard gems of the baroque era produced and performed on period instruments by our fine local and regional professional musicians.

Our first annual three-concert series in 2017 was titled, BETWEEN SILENCE AND LIGHT. My vision for this series was personal, inspired by the writings and thinking of the great architect, Louis Kahn, and the journey of finding one's artistic voice. This link to our video  shares with you my vision for this first concert series and for KC Baroque.

Our second season was a grand tour of Verona, Vienna and Versailles with music and excerpts from Shakespeare and Elizabethan writers and commentary of he day, Music of the early classical era featuring Charles Metz and his spectacular newly commissioned fortepiano by Charles McNulty, and music of CPE Bach, JC Bach, Francesca LeBrun, and Haydn. And our grand finale featuring works by the French masters of the baroque: Couperin, Campra, Marais, and Rameau. The concert also premieres an exquisite new work by Anthony J. Maglione, “I Am Silent”, a setting of the poetry by the great Persian mystic, Rumi.

Our 2019 Season, Women of Note, will celebrate the women who influenced the arts and music of the 17th and 18th centuries as patrons, composers and performers. Sign up for for our newsletter announcements to be the first to hear about our upcoming events!

Today, I invite you to be a part of this important project by supporting the Kansas City Baroque Consortium with a tax deductible donation. Any gift is appreciated and I encourage you to consider one of the special opportunities available to underwrite the series, a single concert, or one of our guest artists. This is an important and meaningful way to become a valued member of KC Baroque’s family, and to invest in our community’s remarkable spirit of artistic entrepreneurship. 

Donate Today

You may also send your tax-deductible contribution to: 

Kansas City Baroque Consortium,  c/o Trilla Ray-Carter, 10413 Walrond Ave., Kansas City, MO 64137


Annual Messiah Sing Along
Grace and Holy Trinity Cathedral, December 16, 2017 at 4:00 p.m.
• • •
J.S. Bach Reformation Cantata
Atonement Lutheran Church, October 16, 2017 at 7:30 p.m. with Schola Cantorum, under the direction of Dr. Anthony Maglione, and presented by the Kansas City American Guild of Organists
• • •
Sunday, May 7, 2:00 - 7:00 p.m. 

The KC American Guild of Organists presents their annual celebration of Johann Sebastian Bach. Organ, vocal, instrumental and choral works are presented in the grand Nave of Grace and Holy Trinity Cathedral all afternoon. KC Baroque is once again pleased to participate in this yearly event honoring the great master. Performances begin at 2 pm and conclude about 7 pm. FREE, donations accepted.  "Come when you can, leave when you must." 

4:40 p.m.  — Suzanne Anderson, soprano, Amara Guitry, baroque flute, Paul Meier, organist, with members of Kansas City Baroque Consortium: Rob Patterson and Monty Carter, baroque violins, and Trilla Ray-Carter, baroque cello. 

Was Gott tut, das ist wohlgetan, Cantata 100
Presto from the Trio Sonata, BWV 1039
Meine Seele sei vergnügt from Cantata 204

5:30 p.m.  — Schola Cantorum, directed by Dr. Anthony Maglione with KC Baroque.

Mass in A Major, BWV 234

• • • • 
Sunday, May 21 at 2:00 p.m. 

A FREE Concert
Kansas City Public Library, Central Branch,     14 West 10th Street, Kansas City, MO 64105. 

A sneak peak at the extraordinary programs to be presented on our summer series.
• • • • 
Baroque, Barocco, Barock
Sunday, June 4 at 3:00 p.m. 

KCBC appears with Musica Vocale in a concert of Baroque choral treasures featuring works by Bach, Purcell, and Charpentier. Westport Presbyterian Church. Tickets at
• • • • 
A program of baroque delicacies presented for
St. Andrew’s Episcopal Happy Hour Concert  Thursday, March 16, 2017, for the Locust Grove Chamber Music Series, Louisville KY on March 12, 2017, the JCCC Ruel Joyce Recital Series, October 5th, 2016, and the Westport Brown Bag Series, May 21, 2016
• • • • 
St. John Passion by J. S. Bach
Sunday, April 9, 2017 at 3:00 p.m.  
Te Deum & Village Presbyterian Church Choir at Village Presbyterian Church
• • • • 
Sunday, May 15, 2016 3:00 pm
Village Presbyterian Church

Village Chamber Choir,  Te Deum Chamber Choir, Matthew Christopher Shepard, director
Vivaldi Four Seasons and more with Sarah Titterington Ibbett, guest violin soloist
• • • • 
Sunday, April 24, 2016 7:00 pm
St. Mary's Episcopal Church

Doctoral Recital by Joshua Maize
SCHÜTZ: Reformation Oratorio
• • • • 
Friday, March 25, 2016  7:00 pm
Village Presbyterian Church

Young Adult Choir, Elisa Bickers, director
SCHÜTZ: The Seven Last Words of Christ on the Cross
• • • • 
Wednesday, March 9, 2016  11:00 am
Helzberg Hall

William Jewell Choir, Dr. Anthony Maglione
BACH: BWV 118: O Jesu Meins Lebens Licht
MOZART: Te Deum, K 141
Southwestern ACDA Conference
• • • • 
Saturday, March 5, 2016  7:00 pm
Gano Chapel, William Jewell Campus

William Jewell Choir, Dr. Anthony Maglione
BACH: BWV 118: O Jesu Meins Lebens Licht
MOZART: Te Deum, K 141
Free Admission
• • • • 
February 21, 2016  7:00 pm
St. Paul's Episcopal Church

BUXTEHUDE: Membra Jesu Nostri
Te Deum Antiqua
Matthew Christopher Shepard, director
with KC Baroque.